Samuel Núñez grew up with the spiritual traditions of two South American cultures.
Through close contact with members of the Mapuche people, he experienced their ceremonies, rituals, and worldview. At the same time, his grandfather introduced him to the cosmology and spirituality of the Andean peoples.
Over time, Samuel deepened this path through dedicated study. He explored Core Shamanism based on the teachings of Michael Harner and expanded his understanding of traditional and contemporary shamanic practices with teachers such as Alberto Villoldo, Sandra Ingerman, Marcela Lobos, and Rama Flores. Through his grandfather and several of these teachers, Samuel has become a lineage carrier, entrusted with transmitting this living tradition through ceremony and initiation.
It is important to him to emphasize:
“The shaman is not a priest or a guru – but a humble bearer and grateful messenger of tradition.”
Samuel’s artistic path has been profoundly shaped by Jerzy Grotowski’s Sacred Theatre and Eugenio Barba’s anthropological theatre research, which approach theatre as a living and self-empowered spiritual experience. He also studied Psychomagic, a contemporary form of ritual theatre, directly with Alejandro Jodorowsky. His methodology is further enriched by his studies in transgenerational dynamics (metagenealogy) and the psychology of C.G. Jung – particularly the concepts of shadow work, archetypes, and synchronicity, which deeply inform his work.